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Besides professional wrestling, Tank is also a former fitness champion. During an interview released in January 2025, she cited her husband KāFa who is a fellow professional wrestler as her inspiration to start her in-ring career.
Andy Kaufman wrestling with Debbie Harry and Caitlin Clarke in 1983. For most of its history, men and women would rarely compete against each other in professional wrestling, as it was deemed to be unfair and unchivalrous. Intergender wrestling was first utilized in the late-1970s/early-1980s by comedian Andy Kaufman.
All Japan Women's Pro-Wrestling (est. 1968) was the dominant joshi puro organization from the 1970s to the 1990s. AJW's first major star was Mach Fumiake in 1974, followed in 1975 by Jackie Sato and Maki Ueda (the "Beauty Pair").
NWA USA is a professional wrestling streaming television program produced by the National Wrestling Alliance (NWA) that premiered on January 8, 2022 on YouTube. [1]A companion series to NWA Powerrr, USA primarily revolves around the NWA Junior Heavyweight Championship, the NWA United States Tag Team Championship, and the NWA World Women's Television Championship divisions.
Women Superstars United: New Jersey: Jac Sabboth (2006–2007) Sean McCaffrey (2007–2012) Drew Cordeiro (2012–2014) D. J. Hyde (2013–present) 2006–present Sister promotion to Combat Zone Wrestling and member of the United Wrestling Network: Women's Wrestling Army: Chicago, Illinois: Maria Kanellis: 2022-present Women's Wrestling Revolution
NWA EmPowerrr was a professional wrestling pay-per-view event produced by the National Wrestling Alliance (NWA) and held on August 28, 2021, as the first of two PPV events to take place from the Khorassan Ballroom of the Chase Park Plaza in St. Louis, Missouri.
Women of Wrestling (WOW) is an American women's professional wrestling promotion founded in 2000 by David McLane (who also founded Gorgeous Ladies of Wrestling (GLOW)). WOW is based in Los Angeles, California , and is owned by McLane and Los Angeles Lakers owner/president Jeanie Buss .
The six women are interviewed and tell their stories of why they entered wrestling. They also share tales of being exploited financially, unruly fans, and being physically abused. The film splices in archival footage of their matches, television clips, and footage from a 1951 movie entitled Racket Girls in between interviews.