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A trio of 1960s street urchins named Crystal, Ronette, and Chiffon set the scene ("Little Shop of Horrors") and comment on the action throughout the show. Seymour Krelborn is a poor young man, an orphan living in an urban skid row. Audrey is a pretty blonde with a fashion sense that leans towards tackiness.
In his book Comedy-Horror Films: A Chronological History, 1914-2008, Bruce G. Hallenbeck called the film "one of Corman's gems, an idea that was born on 'a night out on the town' that's every bit as looney as it sounds." He cited the hilarious performances delivered by the ensemble cast and Corman's strong results while working under the self ...
Seymour Krelborn and his co-worker, Audrey, work at Mushnik's Flower Shop in the rough, rundown Skid Row neighborhood of an unnamed city, which they lament that they cannot escape ("Skid Row (Downtown)"). Struggling from a lack of customers, Mr. Mushnik decides to close the store, but Audrey suggests he may have more success by displaying an ...
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MARK ULRIKSEN mysterious stranger who blows into town one day and makes the bad guys go away. He wore a grizzled beard and had thick, un-bound hair that cascaded halfway down his
Self-proclaimed nerd Seymour Krelborn, an adolescent boy who works in a flower shop, is friends with a talking Venus flytrap named Junior. [6] Junior sprouts from a 200-million-year-old seed and has the ability to talk and hypnotize people. Only Seymour is aware of Junior's abilities.
Frederick Allan Moranis (/ m ə ˈ r æ n ɪ s /; born April 18, 1953) is a Canadian actor, comedian, musician, producer, songwriter and writer.. Moranis appeared in the sketch comedy series Second City Television (SCTV) in the 1980s and starred afterward in several Hollywood films, including Strange Brew (1983), Streets of Fire (1984), Ghostbusters (1984) and its sequel Ghostbusters II (1989 ...
At one point in the story, Buddy finds Seymour's diary and rescues it before anyone can see it. He brings it in the bathroom and reads the only direct, unfiltered dialogue from Seymour. In the later story "Hapworth 16, 1924", Buddy asserts the letter is reproduced "word for word", as if to assure the reader these are Seymour's thoughts and not his.