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Everything That Happens Will Happen Today is the second collaborative studio album by David Byrne and Brian Eno, released on August 18, 2008, by Todo Mundo.Marking Byrne's eighth studio effort overall and Byrne and Eno's first joint project in nearly 30 years, the album explores themes of humanity versus technology and optimism in spite of bleak circumstance through the blending of electronic ...
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The Rip Chords were an early-1960s American vocal group, originally known as the Opposites, composed of Ernie Bringas and Phil Stewart. [1] The group eventually expanded into four primary voices, adding Columbia producer Terry Melcher and co-producer Bruce Johnston (best known as a member of the Beach Boys ).
"Better Than Today" is a song recorded by Australian singer Kylie Minogue for her eleventh studio album, Aphrodite (2010). The track was originally written and produced by Nerina Pallot and Andy Chatterley for Pallot's 2009 extended play , Buckminster Fuller EP .
In 1989, Siedah Garrett wrote lyrics to the song, and it was recorded by Quincy Jones featuring Tevin Campbell on vocals for the album Back on the Block.The new version of the song spent one week at number one on the US R&B chart and peaked at number seventy-five on the US pop chart in June 1990. [1]
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
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