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Impressionism was a 19th-century art movement characterized by visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
Edgar Degas (UK: / ˈ d eɪ ɡ ɑː /, US: / d eɪ ˈ ɡ ɑː, d ə ˈ ɡ ɑː /; [1] [2] born Hilaire-Germain-Edgar De Gas, French: [ilɛːʁ ʒɛʁmɛ̃ ɛdɡaʁ də ɡa]; 19 July 1834 – 27 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings.
Waiting is a pastel on paper by the French Impressionist Edgar Degas, completed between 1880–1882. It is an early example of the more than 200 pastels, paintings, mixed media drawings and sculptures of ballerinas depicted by Degas from the early 1880s. [1] This work is regarded for its vibrant colouring and steep perspective.
Claude Monet was born on 14 November 1840 on the fifth floor of 45 rue Laffitte, in the 9th arrondissement of Paris. [3] He was the second son of Claude Adolphe Monet (1800–1871) and Louise Justine Aubrée Monet (1805–1857), both of them second-generation Parisians.
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
Berthe Morisot, Portrait de Mme Morisot et de sa fille Mme Pontillon ou La lecture (The Mother and Sister of the Artist – Marie-Joséphine & Edma) 1869/70 Morisot was born 14 January 1841, [5] in Bourges, France, into an affluent bourgeois family.
Paintings of the Impressionist style. Subcategories. This category has the following 13 subcategories, out of 13 total. B. Paintings by Frédéric Bazille (13 P) ...
Neo-Impressionist painters interested in the interplay of colours made extensive use of complementary colors in their paintings. In his works, Chevreul advised artists to think and paint not just the colour of the central object, but to add colours and make appropriate adjustments to achieve a harmony among colours.
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