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Pandav Lila or Pandav Nritya (Sanskrit; literally "play of the Pandavas" and "dance of the Pandavas" respectively) is a ritual re-enactment of stories from the Hindu epic Mahabharata, through singing, dancing and recitation, that is practised in the Garhwal region of Uttarakhand, India.
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Langvir Nritya is a dance form for males that resembles gymnastic movements. Barada Nati folk dance is another dance of Jaunsar-Bawar , which is practised during some religious festivals. Other well-known dances include Hurka Baul, Jhora-Chanchri, Chhapeli, Thadya, Jhumaila, Pandav , Chauphula, and Chholiya .
Dance in India include classical (above), semiclassical, folk and tribal. Dance in India comprises numerous styles of dances, generally classified as classical or folk. [1] As with other aspects of Indian culture, different forms of dances originated in different parts of India, developed according to the local traditions and also imbibed elements from other parts of the country.
Uttarakhand Board of School Education (Hindi: उत्तराखण्ड विद्यालयी शिक्षा परिषद्) abbr. UBSE is an agency of Government of Uttarakhand entrusted with the responsibilities of prescribing courses of instructions and text books and conducting examinations for secondary school students in Uttarakhand.
Dr. Basanti Bisht (born, 1953) is a well known folk singer of Uttarakhand, famous for being the first woman singer of the Jagar folk-form of Uttarakhand. The Jagar form of singing is a way of invoking deities, which is traditionally done by men but, Basanti Bisht broke the practice and today is a well-known voice, and is trying to preserve this traditional form of singing.
Nritya is broadly categorized as one of three parts of Sangita, the other two being gita (vocal music, song) and vadya (instrumental music). [3] [4] [5] These ideas appear in the Vedic literature of Hinduism such as the Aitareya Brahmana, and in early post-Vedic era Sanskrit texts such as the Natya Shastra, Panchatantra, Malvikagnimitra and Kathasaritsagara.
By integrating Kumaoni music influence with Hindi musical elements, the team aimed to pay a tribute to Uttarakhand's traditions while making the music accessible to a broader audience. [29] Their were regional instruments such as "kansa thali" [ 30 ] and traditional wear like Pichhaura which was worn by Kamla Devi to honor the culture of Kumaon ...