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El Velorio depicts a traditional 19th-century baquiné or velorio del angelito ("wake of a little angel"), [2] a specific type of wake with origins in Afro-Puerto Rican culture that was celebrated by jibaros and other countrymen as funerary celebrations for the death of a child.
The History of the Mexicans as Told by Their Paintings (Spanish: Historia de los Mexicanos por sus pinturas) is a Spanish language, post-conquest codex written in the 1530s. This manuscript was likely composed by Father Andrés de Olmos, an early Franciscan friar. It is presumed to be based upon one or more indigenous pictorial codices.
Campesino cibaeño, Yoryi Morel 1941. Dominican art comprises all the visual arts and plastic arts made in Dominican Republic.Since ancient times, various groups have inhabited the island of Ayíti/Quisqueya (the indigenous names of the island), or Hispaniola (what the Spanish named the island); the history of its art is generally compartmentalized in the same three periods throughout ...
Avelino Blanco Nuñez. Several other members of the Blanco family have continued the tradition of decorative pottery, all still in the same town in Oaxaca. Faustina Avelino Blanco Núñez is the brother of Teodora. He works with his two daughters and son to produce terra cotta, green glaze and multi-color glazed pieces.
As previously said, the pirlo was originally made with still white wine and Campari, sparkling water (or seltzer in luxury bars) was then added around 1970s in order to liven up the taste.
The manjar blanco (Spanish pronunciation: [maŋˈxaɾ ˈblaŋko], or also in Spanish as manjar de leche), known in Catalan as menjar blanc or menjablanc, is a term used in Spanish- and Catalan- speaking areas of the world in reference to a variety of milk-based delicacies.
1946 – Palacio de Bellas Artes de Buenos Aires, Buenos Aires, Argentina; 1957 – "Exposición de Cundo Bermúdez", Instituto de Arte Contemporáneo, Lima, Peru; 1974 – "Cundo Bermúdez Painting/Alfredo Lozano Sculptures", Bacardí Art Gallery, Miami, Florida; 1979 – Museum of Modern Art of Latin America, Washington, D.C.
June Beer (1935–1986) was a Nicaraguan naïve artist, who gained national and international acclaim for her works depicting African and feminist themes.She was also the first woman poet of Nicaragua's Atlantic coast and produced works in Miskito Coast Creole, English and Spanish.