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Totem poles and houses at ʼKsan, near Hazelton, British Columbia.. Totem poles serve as important illustrations of family lineage and the cultural heritage of the Indigenous peoples in the islands and coastal areas of North America's Pacific Northwest, especially British Columbia, Canada, and coastal areas of Washington and southeastern Alaska in the United States.
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The design for the housepost is by Coast Salish (Musqueam) artist Susan A. Point and for the totem pole by Robert Davidson. There is no clear delineation of posted credits for carving this and a nearby Haida totem pole, but the list of carvers includes Robert Davidson, Leonard Wells, Ben Davidson, Leslie Wells, Reg Davidson, and [illegible ...
The Shaking Pole was fifth in a series of poles that stood on the beach along the Nass river, just past Ank'idaa. The name Shaking Pole originated from the idea that grizzly bears would shake the pole as they climbed it. This pole was created by two carvers: Oyee and Yarogwanows. [11] The height of the pole is 45 feet (14 m) and was raised in ...
Lands-in-the-sky totem pole, Suquamish. Carved by Joe Hillaire for the 1962 Seattle World's Fair. Joseph Raymond Hillaire or Kwul-kwul’tw (1894–1967) was an American Indian sculptor of the Lummi (Lhaq’temish) tribe, known for his carved totem poles in the style of the Coast Salish peoples.
Kwanusila is a 12.2 meter (40 foot) tall totem pole carved from red cedar. It stands in Lincoln Park at Addison Street just east of Lake Shore Drive in the Lake View neighborhood of Chicago, Illinois. The colorfully painted totems include a grimacing sea monster at the bottom, a man riding a whale above it, and Kwanusila the Thunderbird on top.
Boo-Qwilla is a totem pole created by Art Thompson, installed on the Stanford University campus in Stanford, California, United States. The sculpture was installed in Dohrmann Grove, near Hoover Tower, in 1995. [1] [2] It was cleaned and repainted in 2013. [3] [4]
Farmer's Pole is a 1984 cedar totem pole designed by Quinault artist Marvin Oliver, carved by artist James Bender and commissioned by architect Victor Steinbrueck, installed in Seattle's Victor Steinbrueck Park, in the U.S. state of Washington.