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Audience design is a sociolinguistic model formulated by Herb Clark in 1982 and Gregory Murphy [1] and later elaborated by Allan Bell in 1984 [2] which proposes that linguistic style-shifting occurs primarily in response to a speaker's audience. According to this model, speakers adjust their speech primarily towards that of their audience in ...
The actor puts themselves in the mindset of the character finding things in common in order to give a more genuine portrayal of the character. Method acting is a range of techniques used to assist acting persons in understanding, relating to and the portrayal of their character(s), as formulated by Lee Strasberg. Strasberg's method is based ...
A term referring to a fictional character (by whatever name) whose job it is to explain the plot or parts of a plot to other characters and the audience. mood lighting The deliberate use of certain lighting characteristics in a scene or even an entire film in order to provoke a particular state of mind or feeling in the viewer.
With representational acting, the audience is studiously ignored and treated as voyeurs. In the sense of actor-character relationship, the type of theatre that uses 'presentational acting' in the actor-audience relationship, is often associated with a performer using 'representational acting' in their actor-character methodology. Conversely ...
An unseen character in theatre, comics, film, or television, or silent character in radio or literature, is a character that is mentioned but not directly known to the audience, but who advances the action of the plot in a significant way, and whose absence enhances their effect on the plot. [1]
In contemporary theater, the director usually determines blocking during rehearsal, telling actors where they should move for the proper dramatic effect, to ensure sight lines for the audience and to work with the lighting design of the scene. Each scene in a play is usually "blocked" as a unit, after which the director will move on to the next ...
Stock characters from Commedia dell'Arte — which gave each character a standard costume, so easily identifiable — continued across many types of theater, dramatic storytelling, and fiction. A stock character is a dramatic or literary role representing a generic type in a conventional, simplified manner and recurring in many fictional works. [1]
Image theatre is a performance technique in which one person, acting as a sculptor, moulds one or more people acting as statues, using only touch and resisting the use of words or mirror-image modelling. The images presented in this form of theatre are a series of still-images or tableauxs that are dynamised (brought to life) via a variety of ways.