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Ethical non-naturalism (or moral non-naturalism) is the meta-ethical view which claims that: Ethical sentences express propositions. Some such propositions are true. Those propositions are made true by objective features of the world, independent of human opinion. These moral features of the world are not reducible to any set of non-moral features.
Robert Morris, Observatorium, Netherlands. The growth of environmental art as a "movement" began in the late 1960s and early 1970s. In its early phases it was most associated with sculpture—especially Site-specific art, Land art and Arte povera—having arisen out of mounting criticism of traditional sculptural forms and practices that were increasingly seen as outmoded and potentially out ...
The list is full of examples of this art style and movement that were created by artists from all around the world. So, check them out; maybe it will convince you to become a surrealism enthusiast.
Evolutionary ethics is not the only way to involve nature with ethics. For example, there are ethically realist theories like ethical naturalism. Related to ethical naturalism is also the idea that ethics are best explored, not just using the lens of philosophy, but science as well (a science of morality).
Ethical naturalism (also called moral naturalism or naturalistic cognitivistic definism) [1] is the meta-ethical view that holds that moral properties and facts are reducible to natural properties and can be studied through empirical or scientific means. It asserts that moral values are objective features of the natural world and can be ...
Moral realism's two main subdivisions are ethical naturalism and ethical non-naturalism. [2] Most philosophers claim that moral realism dates at least to Plato as a philosophical doctrine [3] and that it is a fully defensible form of moral doctrine. [4]
If you've heard the term “ethical non-monogamy” and are confused or curious about it, you've come to the right place. First and foremost, ethical non-monogamy is an umbrella term for a type of ...
Whereas naïve art ideally describes the work of an artist who did not receive formal education in an art school or academy, for example Henri Rousseau or Alfred Wallis, 'pseudo naïve' or 'faux naïve' art describes the work of an artist working in a more imitative or self-conscious mode and whose work can be seen as more imitative than original.