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The term was popularized from Shakespeare's Hamlet (1599-1601). [11]The earliest ancestor of "willy-nilly" is the Old English, "sam we willan sam we nyllan" ('whether we wish to or wish not to'), found in King Ælfred's translation of De Consolatione Philosophiæ in 888 AD. [12]
Ekphrastic poetry flourished in the Romantic era and again among the pre-Raphaelite poets. A major poem of the English Romantics – "Ode on a Grecian Urn" by John Keats – provides an example of the artistic potential of ekphrasis. The entire poem is a description of a piece of pottery that the narrator finds evocative.
The poem is about the contrast between these people and the gap that is developing between the rich and poor even in the USA which is meant to be a 'democracy'. [ 1 ] [ 2 ] The description of the couple as "Beautiful People" is perhaps ironic as the term was first used to describe those had held countercultural ideals during the 1960s. [ 2 ]
A clerihew (/ ˈ k l ɛr ɪ h j uː /) is a whimsical, four-line biographical poem of a type invented by Edmund Clerihew Bentley.The first line is the name of the poem's subject, usually a famous person, and the remainder puts the subject in an absurd light or reveals something unknown or spurious about the subject.
A calligram is a set of words arranged in such a way that it forms a thematically related image. It can be a poem, a phrase, a portion of scripture, or a single word; the visual arrangement can rely on certain use of the typeface, calligraphy or handwriting, for instance along non-parallel and curved text lines, or in shaped paragraphs. The ...
Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
The lyrical subject, lyrical speaker or lyrical I is the voice or person in charge of narrating the words of a poem or other lyrical work. [1] The lyrical subject is a conventional literary figure, historically associated with the author, although it is not necessarily the author who speaks for themselves in the subject.
The poetry ascribed to him in this collection shows how he not only can channel other entities (such as the Awen) in these poems, but that the authors of these poems can in turn channel Taliesin himself in creating the poems that they ascribe to him. This creates a collectivist, rather than individualistic, sense of identity; no human is simply ...