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The String Quartet No. 14 in C ♯ minor, Op. 131, was completed by Ludwig van Beethoven in 1826. It is the last-composed of a trio of string quartets, written in the order Opp. 132, 130 (with the Große Fuge ending), 131.
Ludwig van Beethoven's late string quartets are: Opus 127: String Quartet No. 12 in E ♭ major (1825) Opus 130: String Quartet No. 13 in B ♭ major (1825) Opus 131: String Quartet No. 14 in C ♯ minor (1826) Opus 132: String Quartet No. 15 in A minor (1825)
String Quartet No. 14 (Beethoven) String Quartet No. 15 (Beethoven) String Quartet No. 16 (Beethoven) String Quartet in F major, Hess 34 This page was last ...
Op. 130: String Quartet No. 13 in B ♭ major (1825–1826) Op. 131: String Quartet No. 14 in C ♯ minor (1826) Op. 132: String Quartet No. 15 in A minor (1825) Op. 133: Große Fuge in B ♭ major for string quartet (originally finale of Opus 130) (1825) Op. 134: Piano arrangement (4 hands) of the Große Fuge, Opus 133 (1826)
The String Quartet No. 13 in B ♭ major, Op. 130, by Ludwig van Beethoven was completed (in its final form) in November 1826. [1] The number traditionally assigned to it is based on the order of its publication; it is actually Beethoven's 14th quartet in order of composition.
String Quartet No. 14 (Beethoven) by Ludwig van Beethoven; String Quartet No. 14 (Dvořák) by Antonín Dvořák; String Quartet No. 14 (Hill) by Alfred Hill; String Quartet No. 14 (Milhaud), Op. 291, No. 1, by Darius Milhaud; String Quartet No. 14 (Mozart), Spring by Wolfgang Amadeus Mozart; String Quartet No. 14 (Schubert), Death and the ...
Beethoven, Sonata, Op. 14 No. 1, 2nd movement, bars 1-8, Quartet version Beethoven, Op. 14 No. 1, 2nd movement, bars 1–8, Quartet version “Beethoven shows his profoundest insight in not allowing the four stringed instruments to reproduce the thick pianoforte chords, though this would be possible with quite easy double stops .” [ 4 ]
The only other such Beethoven quartet is the String Quartet No. 14 in C-sharp minor, Op. 131 (there in the final movement). [ 2 ] According to musicologist Peter Schleuning, the violin solo in the coda with its broken chords is inspired by the final movement in Johann Sebastian Bach's Brandenburg Concerto No. 4 .
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