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He continues to perform stand-up comedy around the globe. Michael Winslow debuted his own iPhone and iPod Touch apps in 2010, bringing his sound effects and comedy to a mobile platform. ThatsKungFu generates Winslow's kung fu fighting sounds when the device is swung in a fighting motion. [ 9 ]
Cipha Sounds (born Luis Diaz; on April 19, 1976) is an American DJ, comedian, and radio and television personality of Puerto Rican [1] descent. He is mostly known for his work as a DJ , a VJ for MTV , and as a comedian.
Repetition is the essential comedic device and is often used in combination with other devices to reinforce them. The "callback" in comedy writing—in which a statement or theme is recalled as the punchline or close of a scene—is a classic example of the tension and release that are possible using repetition. It is also the basis for ...
A comedy album is an audio recording of comedic material from a comedian or group of comedians, usually performed either live or in a studio. Comedy albums may feature skits , humorous songs, and/or live recording of stand-up comedy performances, but the most common type of comedy albums are stand up , and are often made in conjunction with a ...
Wesley Bryon Harrison (January 31, 1925 - July 21, 2019), better known as Wes Harrison and nicknamed Mr. Sound Effects, was an American comedian and voice actor, notable for his ability to create realistic sound effects using only his voice and a Shure 530 Slendyne microphone. [1] Harrison had a comic style reminiscent of Red Skelton.
Sweetening is a sound design practice in which additional audio and effects are used to enhance audio already recorded. In the case of a music performance or recording, sweetening may refer to the process of adding instruments in post-production such as those found on "The Sounds of Silence" by folk musicians Simon and Garfunkel. The original ...
LMMS (formerly Linux MultiMedia Studio [6]) is a digital audio workstation application program. It allows music to be produced by arranging samples, synthesizing sounds, entering notes via computer keyboard or mouse (or other pointing device) or by playing on a MIDI keyboard , and combining the features of trackers and sequencers .
If a joke did not get the desired chuckle, Douglass inserted additional laughter. If the live audience chuckled too long, Douglass gradually muted the laughter. This editing technique became known as "sweetening," in which pre-recorded laughter is used to augment the response of the real studio audience if they did not react as desired. [4]
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