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Gerda Bengtsson. Gerda Johanne Bengtsson (6 February 1900– 13 December 1995) was a Danish textile artist who specialized in embroidery. Initially inspired by the stylized animals and plants used in medieval needlework, she became an outstanding designer who could transform depictions of wild flowers into simple but effective embroidery patterns.
However, whitework can either be counted or free. Hardanger embroidery is a counted embroidery and the designs are often geometric. [21] Conversely, styles such as Broderie anglaise are similar to free embroidery, with floral or abstract designs that are not dependent on the weave of the fabric. [22]
Handwoven Phulkari design from the Punjab region, Digitized by Panjab Digital Library. Phulkari (Gurmukhi: ਫੁਲਕਾਰੀ; Shahmukhi: پھلکاری) refers to the folk embroidery of the Punjab region and Gulkari of Sindh in South Asia. [1][2][3] Although phulkari means 'floral work', the designs include not only flowers but also cover ...
Technique and uses. Mountmellick embroidery uses predominantly knotted and padded stitches to create beautifully textured whitework embroidery. [2] The work features a characteristic knitted fringe. Other forms of lace, such as crochet or bobbin lace are not authentic trims for Mountmellick work. [4]
Tatreez (Arabic: تَطْرِيز, romanized: taṭrīz) is a form of traditional Palestinian embroidery. [1] Tatreez is commonly used on garments and includes a variety of symbols including birds, trees and flowers. [2] The craft was originally practiced in rural areas of Palestine, but is now common across the Palestinian diaspora.
The bottom image is a "flame stitch" motif similar to that found in the Bargello museum chairs. Bargello is a type of needlepoint embroidery consisting of upright flat stitches laid in a mathematical pattern to create motifs. The name originates from a series of chairs found in the Bargello palace in Florence, which have a "flame stitch" pattern.
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