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Hypertext fiction is a genre of electronic literature characterized by the use of hypertext links that provide a new context for non-linearity in literature and reader interaction. The reader typically chooses links to move from one node of text to the next, and in this fashion arranges a story from a deeper pool of potential stories.
Hypertext, in semiotics, is a text which alludes to, derives from, or relates to an earlier work or hypotext (a subsequent of a hypotext). [1]For example, James Joyce's Ulysses could be regarded as one of the many hypertexts deriving from Homer's Odyssey; Angela Carter's "The Tiger's Bride" can be considered a hypertext which relates to an earlier work, or hypotext, the original fairy-story ...
The Electronic Literature Organization hosts annual conferences discussing hypertext fiction, poetry and other forms of electronic literature. Although not exclusively about hypertext, the World Wide Web series of conferences, organized by IW3C2, [19] also include many papers of interest. There is a list on the Web with links to all conferences ...
Hypotextuality or hypertextuality is the relation between a text and a preceding 'hypotext' – a text or genre on which it is based but which it transforms, modifies, elaborates or extends. Examples are parody, spoof, sequel, and translation. In information technology, hypertextuality is a text that takes the reader directly to other texts. [2]
For example, Homer's Odyssey could be regarded as the hypotext for James Joyce's Ulysses. The word was defined by the French theorist Gérard Genette as follows "Hypertextuality refers to any relationship uniting a text B (which I shall call the hypertext) to an earlier text A (I shall, of course, call it the hypotext ), upon which it is ...
James Joyce's 1922 novel Ulysses bears an intertextual relationship to Homer's Odyssey.. Julia Kristeva coined the term "intertextuality" (intertextualité) [13] in an attempt to synthesize Ferdinand de Saussure's semiotics: his study of how signs derive their meaning from the structure of a text (Bakhtin's dialogism); his theory suggests a continual dialogue with other works of literature and ...
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An example of textuality in the oral medium is the sound itself. An example of textuality in the print medium is the physicality of a book. An example of textuality in the electronic medium is the interactivity of a website, or visual of a specific television show.