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The Parthenon frieze is the high-relief Pentelic marble sculpture created to adorn the upper part of the Parthenon 's naos. It was sculpted between c. 443 and 437 BC, [1] most likely under the direction of Phidias. Of the 160 meters (524 ft) of the original frieze, 128 meters (420 ft) survives—some 80 percent. [2]
Pulpit in the Pisa Baptistery. The pulpit in the Pisa Baptistery was completed by Nicola Pisano and his assistants in 1260, and has long been regarded as a landmark in Italian art, especially for its large relief panels around the platform. [1] For Kenneth Clark the pulpit was "that false dawn of the Renaissance", as its innovations were not ...
The sculpture's sense of movement is accentuated by its high relief. [5] Figures emerge in the round, while the background is frenzied, never neutral. The faces are expressive, the bodies of the victors dramatically tangled, their lances and symbols realistically cross the space, never appearing on only one plane.
The composition of groups of figures in reliefs and on pediments combined complexity and harmony in a way that had a permanent influence on Western art. Relief could be very high indeed, as in the Parthenon illustration below, where most of the leg of the warrior is completely detached from the background, as were the missing parts; relief this ...
Many of the art forms and methods used by the Romans – such as high and low relief, free-standing sculpture, bronze casting, vase art, mosaic, cameo, coin art, fine jewelry and metalwork, funerary sculpture, perspective drawing, caricature, genre and portrait painting, landscape painting, architectural sculpture, and trompe-l'œil painting ...
The Feast of Herod is a bronze relief sculpture created by Donatello circa 1427. It was made for the font of the Siena Baptistery of San Giovanni in Italy. It is one of Donatello's earliest relief sculptures, and his first bronze relief. [1] The sculpture is noted for Donatello's use of perspective. [2] The piece is 60 by 61 centimeters.
Relief with Ashurbanipal killing a lion, c. 645–635 BC. The king shoots arrows from his chariot, while huntsmen fend off a lion behind. The royal Lion Hunt of Ashurbanipal is shown on a famous group of Assyrian palace reliefs from the North Palace of Nineveh that are now displayed in room 10a of the British Museum.
A low relief carving of a Viking ship Carving tools and a mallet. In wood carving relief carving is a type in which figures or patterns are carved in a flat panel of wood; the same term is also used for carving in stone, ivory carving and various other materials. The figures project only slightly from the background rather than standing freely.
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