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New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine [1] and Lincoln Kirstein. [2] Balanchine and Jerome Robbins are considered the founding choreographers of the company.
Styled as the father of American ballet, [4] he co-founded the New York City Ballet and remained its artistic director for more than 35 years. [5] His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. [6]
Conrad Ludlow is a former principal dancer with New York City Ballet under George Balanchine. He also danced at San Francisco Ballet and founded and directed Ballet Oklahoma (now Oklahoma City Ballet). [1] He is currently a professor at the University of Utah's ballet department. [2]
Arthur Mitchell (March 27, 1934 – September 19, 2018) [1] was an American ballet dancer, choreographer, and founder and director of ballet companies.In 1955, he was the first African-American dancer with the New York City Ballet, where he was promoted to principal dancer the following year and danced in major roles until 1966.
Jacques d'Amboise (born Joseph Jacques Ahearn, July 28, 1934 – May 2, 2021) [1] was an American ballet dancer, choreographer, and educator. He joined the New York City Ballet in 1949 and was named principal dancer in 1953, and throughout his time with the company he danced 24 roles for George Balanchine.
The photobook “New York City Ballet: Choreography & Couture” chronicles the decade-long relationship between the dance company and elite fashion designers.
Once the dance company was given a stable home at New York City Center, Ballet Society continued to operate separately as a non-profit organization in the service of the School of American Ballet and the New York City Ballet, publishing dance books and developing and funding projects related to the sustenance and encouragement of dance in the ...
The school was founded by the Russo-Georgian-born choreographer George Balanchine, and philanthropists Lincoln Kirstein and Edward Warburg in 1934. [1] Balanchine's self- prescribed edict, "But first, a school", is indicative of his adherence to the ideals of the training that was fostered by the Imperial Ballet School where he received his training.