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Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
Some African-American women were also active in the feminist art movement in the 1970s. Faith Ringgold made work that featured black female subjects and that addressed the conjunction of racism and sexism in the U.S., while the collective Where We At (WWA) held exhibitions exclusively featuring the artwork of African-American women. [53]
Brown coupled with fiber artist Dindga McCannon and formed "Where We At" Black Women Artists, Inc. (WWA) during the spring of 1971. [2] Topics covered through artistic expression within this organization were contemporary social conditions such as the Black female/male relationship, African traditions, and the Black family as a unit.
Black women artists such as Saar, Faith Ringgold, Adrian Piper, Howardena Pindell, and Barbara Chase-Riboud explored African American identities and actively rejected art world racism, while simultaneously being drawn to the cause of women's liberation.
The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
You can be black, a woman, a sculptor, a print-maker, a teacher, a mother, a grandmother, and keep a house. It takes a lot of doing, but you can do it. All you have to do is decide to do it." [7] Catlett's The Negro Woman, dated 1946–1947, is a series of 15 linoleum cuts highlighting the experience of discrimination and racism that African ...
Afro-Surrealism is directly connected to black history, experience, and aesthetics, particularly as affected by Western culture. British-Nigerian short story writer Irenosen Okojie describes the genre: [4] Afro-surrealism, which couples the bizarre with ideas of black identity and power, allows for more expansive explorations of blackness.
AfriCOBRA was founded on the South Side of Chicago by a group of artists intent on defining a "black aesthetic." AfriCOBRA artists were associated with the Black Arts Movement in America, a movement that began in the mid-1960s and that celebrated culturally-specific expressions of the contemporary Black community in the realms of literature, theater, dance and the visual arts. [6]
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