Search results
Results from the WOW.Com Content Network
The call and response format became a diasporic tradition, and it was part of Africans and African Americans creating a new, unique tradition in the United States. [ 3 ] While slave masters encouraged conversion of slaves to Christianity, African slaves still practiced their own form of religious celebration, which was called Slave Christianity .
In Sub-Saharan African cultures, call and response is a pervasive pattern of democratic participation—in public gatherings in the discussion of civic affairs, in religious rituals, as well as in vocal and instrumental musical expression. Most of the call and response practices found in modern culture originated in Sub-Saharan Africa. [3]
The call and response that follows each verse is called namba. Performances are often competitive and divided by age and gender. Performances are often competitive and divided by age and gender. The neighbouring Turkana people have maintained their ancient traditions, including call and response music, which is almost entirely vocal.
By 1957, she released her debut album, “Call-And-Response: Rhythmic Group Singing,” which showcased call-and-response chants from the U.S. and Africa for young children.
Another distinguishing form of African music is its call-and-response style: one voice or instrument plays a short melodic phrase, and that phrase is echoed by another voice or instrument. The call-and-response nature extends to the rhythm, where one drum will play a rhythmic pattern, echoed by another drum playing the same pattern.
The call and response format showcases the ways in which work songs foster dialogue. The importance of dialogue is illuminated in many African-American traditions and continues on to the present day. [12] Particular to the African call and response tradition is the overlapping of the call and response. [13]
The song was sung by working miners in time with the rhythm of swinging their axes to dig. It was usually sung under hardship in call and response style (one man singing a solo line and the rest of the group responding by copying him). [1] It was also sung by prisoners in call and response style using alto and soprano parts divided by row.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!