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BASIC programs could be generated for direct playback without the program as well, facilitating easy integration of the created musical content into other programs such as games. The user interface was in German only. An attempt was made to publish the program as a type-in listing in the German Happy Computer magazine. The program was rejected ...
The Nashville Number System is a trick that musicians use to figure out chord progressions on the fly. It is an easy tool to use if you understand how music works. It has been around for about four hundred years, but sometime during the past fifty years [approximately 1953–2003], Nashville got the credit. —
A key difference between the chromatic circle and the circle of fifths is that the former is truly a continuous space: every point on the circle corresponds to a conceivable pitch class, and every conceivable pitch class corresponds to a point on the circle.
Though not all fifths in the diatonic collection are perfect (B-F is a diminished fifth), a well formed generated collection has only one specific interval between scale members (in this case 6)—which corresponds to the generic interval (4, a fifth) but to not the generator (7). The major and minor pentatonic scales are also well formed ...
Version 2 of Studio One was announced on 17 October 2011, [13] [14] and released on 31 October 2011 (alongside the 2.0.2 update). [15] This release of the software introduced multiple enhancements, including integration with Celemony Melodyne, transient detection & quantization, groove extraction, multi-track comping, folder tracks, multi-track MIDI editing, an updated browser, and new plug-ins.
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In double overtime, St. John's had a 98-93 lead with 18 seconds remaining. But a 3-pointer by VJ Edgecombe closed the Bears to within two points before Ejiofor's fateful final two free throws ...
This is described as "beautiful" and "modern sounding." [1] The notes that make up the Lydian chord represent five of the seven notes of the Lydian mode, and the ♯ 11 at the top of the chord is the ♯ 4 (one octave higher) that distinguishes the Lydian mode from the major scale.
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