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Detail of 12th-century stained glass window in Strasbourg Cathedral; black and white paint has been used on the coloured glass. Secondly it refers to stained glass, used for windows. Here the design is made up using sheets of coloured glass, cut to shape and held in place by lead. The painting is the final stage, typically only in black. [2]
Frederick Stymetz Lamb. Religion Enthroned, Brooklyn Museum.Gift of Irving T. Bush in memory of his father and mother, 29.1082. Creative Commons-BY-NC. [1]J&R Lamb Studios, America's oldest continuously-run decorative arts company, is famous as a stained glass maker, preceding the studios of both John LaFarge and Louis C. Tiffany.
Panels are made slightly smaller than the available space within the frame to provide room for movement. Wood will expand and contract across the grain, and a wide panel made of solid wood could change width by a half of an inch, warping the door frame. By allowing the wood panel to float, it can expand and contract without damaging the door.
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
German stained glass of 1444; only the "olive-green" parts are enamel. Most pieces were now relatively large vases or bowls for display; the style related to design movements in other media such as art pottery, the Arts and Crafts movement, but was often especially well suited to glass.
The most common method of adding the black linear painting necessary to define stained glass images is the use of what is variously called "glass paint", "vitreous paint", or "grisaille paint". This was applied as a mixture of powdered glass, iron or rust filings to give a black colour, clay, and oil, vinegar or water for a brushable texture ...
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