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Although Frick had planned a sculpture gallery to his home in the late 1910s, the lack of other statuary caused him to cancel the plan. [281] Duveen displayed numerous marble busts in the Frick House while Frick decided whether to buy them. [256] A bust of Henry Clay Frick by Malvina Hoffman was gifted to the museum when it opened in 1935. [282]
Henry Clay Frick (December 19, 1849 – December 2, 1919) was an American industrialist, financier, and art patron.He founded the H. C. Frick & Company coke manufacturing company, was chairman of the Carnegie Steel Company and played a major role in the formation of the giant U.S. Steel manufacturing concern.
The Frick Collection announced plans in June 2010 to convert the loggia into an enclosed gallery for ornaments and sculptures, [306] and the LPC approved the gallery that month. [307] The gallery was funded by the businessman Henry H. Arnhold [ 308 ] and designed by Davis Brody Bond ; it opened in December 2011 as the first new gallery at the ...
Henry Clay Frick [88] 1943 oil on canvas Gerald Kelly: 1879–1972 Portrait of Henry Clay Frick [89] 1924 oil on canvas Jacques de Lajoue, attributed 1687–1761 Seven Decorative Panels [90] c. 1730–1740 oil on canvas Georges de La Tour, studio of 1593–1652 The Education of the Virgin [91] c. 1650 oil on canvas Thomas Lawrence: 1769–1830
The Frick Art Research Library (formerly known as the Frick Art Reference Library) is the art library of The Frick Collection, located in New York City.The library, founded in 1920 by Helen Clay Frick, offers access to materials on the study of art to students, scholars, and the public.
The Frick Art Research Library’s Photoarchive in New York is a study collection of more than 1.5 million photographic reproductions of works of art from the fourth to the mid-twentieth century. It was founded in 1920 by Helen Clay Frick to facilitate object-oriented research.
The building itself is a gift of Helen Clay Frick (1888–1984), daughter of the Pittsburgh industrialist and art patron Henry Clay Frick (1849–1919). She established the Fine Arts Department at the University of Pittsburgh in 1926 and continued to fund it through the 1950s, when she first made a commitment to create a separate structure to ...
The original panel is lost, and today known from three copies: in the Frick Collection in New York (where it is hung opposite Holbein's Portrait of Thomas More); in the National Portrait Gallery in London and the Chichester Constable collection in Yorkshire. The Frick panel is considered superior in quality. [3]
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