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While the 1920s to 1940s are considered the heyday of modern art movements, there were conflicting nationalistic movements that resented abstract art, and Germany was no exception. Avant-garde German artists were now branded both enemies of the state and a threat to the German nation.
Elisabeth von Eicken (1862–1940) Andreas Eigner (1801–1870) Fritz Eisel (1929–2010) Felix Eisengräber (1874–1940) Marie Ellenrieder (1791–1863) Friedrich August Elsasser (1810–1845) Adam Elsheimer (1578–1610) Ludwig Elsholtz (1805–1850) Wilhelm Emelé (1830–1905) Edgar Ende (1901–1965) Sylvester Engbrox (born 1964)
The Great German Art Exhibition, which spanned the first floor, the upper floor and the two-story "Hall of Honour" in the centre of the building, was promoted as the most important cultural event in Nazi Germany. The show was conceived as a sales exhibition; artists could be represented with several works (usually up to ten works), and ...
Pages in category "German art movements" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. B. Beuron school;
German art movements (2 C, 14 P) H. History of art in Germany (1 C, 3 P) M. ... Pages in category "German art" The following 30 pages are in this category, out of 30 ...
An art movement is a tendency or style in art with a specific art philosophy or goal, ... German Romanticism, ... c. 1918 –1940s; Regionalism (art), c. 1930s –1940s;
See Art periods for a chronological list. This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies, evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in ...
The art was raw, provocative, and harshly satirical. Bertolt Brecht, a German dramatist, was an early critic of Expressionism, referring to it as constrained and superficial. Just like in politics Germany had a new parliament but lacked parliamentarians, he argued, in literature there was an expression of delight in ideas, but no new ideas, and ...
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