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Ailanthus (1948) is the first plant drawing that he executed in Boston, Hyacinth (1949) was the first one he did when he was in Paris. [30] Beginning in 1949, while living in Paris (and influenced in this choice of subject by Henri Matisse and Jean Arp) he began to draw simple plant and seaweed forms. [31]
The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Trois crayons (French: [tʁwɑ kʁɛjɔ̃]; English: "three pencils") is a drawing technique using three colors of chalk: red (), black (a type of oil shale), and white.The paper used may be a mid-tone such as grey, blue, or tan. [1]
Pen and brown ink with brush and brown wash, with touches of opaque white watercolor, on cream laid paper: 14.3 x 16.8 cm: Museum of Fine Arts, Boston: The drawing is related to the etching B158 : Three Men Being Beheaded: c. 1640: Pen and brown ink, corrected with white; framing lines in pen and brown ink: 15.3 x 22.6 cm: British Museum, London
Helleborus niger is an evergreen plant with dark leathery pedate leaves carried on stems 9–12 in (23–30 cm) tall. The large flat flowers, borne on short stems from midwinter to early spring, are generally white, but occasionally with a pink tinge. [3]
Another hand-colour photographer, Luis Márquez (1899–1978), was the official photographer for and art adviser of the Mexican Pavilion at the 1939-40 World's Fair. In 1937 he presented Texas Governor James V. Allred a collection of hand-coloured photographs.
Negative space in art, also referred to as "air space", is the space around and between objects. Instead of focusing on drawing the actual object, for a negative space drawing, the focus is on what's between the objects. For example, if one is drawing a plant, they would draw the space in-between the leaves, not the actual leaves.
Pages of written descriptions for each plant were added that included a physical description, growth habit, where and when the plant could be located, how each part could be used, and the other names for the plant provided by Blackwell’s husband. The task of creating A Curious Herbal was immense and took a number of years to complete.
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