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The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note". John Rahn describes counterpoint as follows: It is hard to write a beautiful song. It is harder to write several individually beautiful songs that, when sung simultaneously, sound as a more beautiful polyphonic whole.
Cambiata, or nota cambiata (Italian for changed note), has a number of different and related meanings in music.Generally it refers to a pattern in a homophonic or polyphonic (and usually contrapuntal) setting of a melody where a note is skipped from (typically by an interval of a third) in one direction (either going up or down in pitch) followed by the note skipped to, and then by motion in ...
"Kleiner Trauermarsch" ("Little Funeral March") in C minor, K. 453a, is a keyboard work composed in 1784 by Wolfgang Amadeus Mozart, written in the notebook of his student Barbara Ployer.
This composition is based on a madrigal-comedy entitled Contrappunto bestiale alla mente by Adriano Banchieri included in his work Festino nella sera del giovedì grasso avanti cena (Small Party before Dinner on the Evening of Carnival Thursday).
Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
A marble copy of Polykleitos' Doryphoros, an early example of classical contrapposto. S-curve (art) Contrapposto (Italian pronunciation: [kontrapĖposto]) is an Italian term that means "counterpoise".
Typographical symbols and punctuation marks are marks and symbols used in typography with a variety of purposes such as to help with legibility and accessibility, or to identify special cases.
The Contrapasso of the sorcerers, astrologers, and false prophets, illustrated by Stradanus. In Dante's Inferno, contrapasso (or, in modern Italian, [1] contrappasso, from Latin contra and patior, meaning "suffer the opposite") is the punishment of souls "by a process either resembling or contrasting with the sin itself."