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A twelve-inch Capitol Records gramophone record. The twelve-inch single (often written as 12-inch or 12″) is a type of vinyl (polyvinyl chloride or PVC) gramophone record that has wider groove spacing and shorter playing time with a "single" or a few related sound tracks on each surface, compared to LPs (long play) which have several songs on each side.
The 12-inch single was backed with a primarily instrumental version of the song entitled "The Beach" on the B-side. The single's unique packaging was designed by Peter Saville and Brett Wickens. It features a die-cut sleeve designed to resemble a 5 + 1 ⁄ 4-inch floppy disk. The cover features no words, but instead has code, invented by ...
Ken Cayre, the head of Salsoul Records, decided to sign a number of famous musicians and bands to the label, hoping to "consolidate the success of the faceless Salsoul Orchestra", and Double Exposure was chosen as the newly signed band whose first release, "Ten Percent," would feature the orchestra and be promoted with a 12-inch single as well as the typical seven-inch format. [6]
The die-cut packaging for New Order’s “Blue Monday” 12-inch single. (Photo: Factory Records) Hook continues: “But, yeah, the sleeve unfortunately cost 10p [approximately 20 cents] more ...
"Two of Hearts" is a song by American singer Stacey Q, first issued as an independent 12-inch dance club single by On the Spot Records, then picked up by Atlantic after achieving regional sales. [4] It was written by John Mitchell and produced by Jon St. James, William Walker and Jeff Fishman.
The Born in the U.S.A. 12" Single Collection is a box set of 12" singles from the album Born in the U.S.A. by rock artist Bruce Springsteen. It was released in the UK in 1985 courtesy of CBS Records to help promote the Born in the U.S.A. album. It originally came with a poster of Springsteen and a bonus 7" single previously unreleased in the UK.
While receiving a proper release in other countries, Warner Bros. Records relegated the song to 12-inch B-side status in America despite its enormous popularity on radio and MTV, thus making it ineligible to enter the Billboard U.S. Hot 100. [10] The dance mix edit of "Angel" is the B-side of the 7-inch single that did chart the Hot 100. [11] "
"Rush Hour" is a song by American musician Jane Wiedlin, taken from her second album, Fur (1988). It was backed by the album track "End of Love". The UK 12-inch single of "Rush Hour" includes an extended remix by Rusty Garner and an instrumental version.