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Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [ 2 ] he was the first-ever to be recognized as a National Artist of the Philippines . [ 3 ]
Pioneers of Philippine Art showcases the 100 years of Philippine art from the late 19th century to the 20th century in the works of three famous Filipino artists namely Juan Luna, Fernando Amorsolo and Fernando Zobel. [19] Paintings of Amorsolo includes Palay Maiden (1920), Maiden with Lanzones (1924), Maiden in a Flower Garden (1948), Portrait ...
Don Fabián de la Rosa y Cueto (May 5, 1869 – December 14, 1937) was a Filipino painter. He was the uncle and mentor to the Philippines' national artist in painting, Fernando Amorsolo , and to his brother Pablo . [ 1 ]
Among its collections is a commissioned copy of Ritual Dance by Fernando Amorsolo-the original copy is lost in 1972, and the History of Philippine Music dated 1931. The Parisian Life by Juan Luna estimated in 2009 to value around P200 million, was formerly part of the museum's collections but was transferred to the National Museum of Fine Arts ...
The Jorge B. Vargas Museum & Filipiniana Research Center, simply known as the UP Vargas Museum, is a museum located at the University of the Philippines (UP) Diliman campus which houses the collection of art, stamps and coins, library, personal papers and memorabilia of Jorge B. Vargas which he bequeathed to the university.
Souvenir collection of Ramon Hofileña. The dining room, or comedor, features cabinets of antique pieces, such as Chinese porcelain wares and jars from the Ming dynasty. Some of them date back as far as 3,000 years ago, like the old Israeli oil juglet. The dining area is also where the first wood-printing in Negros happened. [9]
Paintings he saw dealt with similar themes and were done in a limited technique that mostly followed the works of Fernando Amorsolo, the first Philippine national artist and the most popular painter of the time. He recognized that there was no creativity whatsoever, and that the artists of that time were merely "copying" each other.
Displayed on opposite sides of the foyer are two mural paintings by National Artist Fernando Amorsolo, titled The Dance and The History of Music. [8] Since the 1996 foreclosure, the original murals are in the GSIS Museum and so reproductions were made for the NCCA-led restoration. [ 10 ]
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