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Movie title Song title Artist Writer US charts UK charts Miscellaneous July 21 The High and the Mighty “The High and the Mighty” LeRoy Holmes: music by Dimitri Tiomkin, lyrics by Ned Washington: 9 20 also charted in the US in 1954 by Victor Young, # 8, Les Baxter #6 and Johnny Desmond # 28
The Lord of the Rings: The Return of the King is the soundtrack for the 2003 epic fantasy adventure film of the same name. The score was composed, orchestrated, and conducted by Howard Shore, and performed by the London Philharmonic Orchestra, the London Voices, and the London Oratory School Schola. [1] The soundtrack was released on 25 ...
The Lord of the Rings: The Two Towers: Peter Jackson Grammy Award for Best Score Soundtrack for Visual Media Nominated- Critics' Choice Movie Award for Best Score: Gangs of New York: Martin Scorsese Nominated- BAFTA Award for Best Film Music: 2003 The Lord of the Rings: The Return of the King: Peter Jackson Academy Award for Best Original Score
Both the original track and a cover by Sinéad O'Connor were featured in the 1998 movie You've Got Mail starring Tom Hanks and Meg Ryan. The song was featured in the 2009 Off-Broadway and 2010 Broadway musical "Everyday Rapture", a semi-autobiographical musical about (and starring) Sherie Rene Scott.
There was a soundtrack released for the film in 1972 in vinyl form by Paramount Records, on CD in 1991 by Geffen Records, and digitally by Geffen on August 18, 2005. [10] The album contains over 31 minutes of music coming from the film, with most being composed by Rota, along with a song from Coppola and one by Johnny Farrow and Marty Symes.
"Why Me" was Kristofferson's lone major country hit as a solo recording artist, reaching No. 1 on the Billboard Hot Country Singles chart in July 1973. [4] The song peaked only at No. 16 on the Billboard Hot 100, but had at that time one of the longer runs (19 weeks) in the top 40 [1] and the most chart reversals (6) in one run on the Hot 100.
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The movie and the soundtrack tell the story of the life of Jesus. The album consists primarily of spoken-word recordings taken from the film of Cash describing the action on screen, interspersed with occasional songs, including several that are presented in piecemeal form through the album.