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Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 (1796) Seven Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46 (1801) Karol Beffa "Marmor" for cello and piano
Georg Matthias Monn (born Johann Georg Mann [1] 9 April 1717, Vienna – 3 October 1750, Vienna) was an Austrian composer, organist and music teacher whose works were fashioned in the transition from the Baroque to Classical period in music.
Cello Concerto in D major, based on Carl Maria von Weber's Clarinet Concerto No. 2 in E-flat major, Op. 74; Cello Concerto in D major, based on Mozart's Horn Concerto No. 3 in E-flat major, K. 447; Cello Concerto in A minor, based on Schubert's Sonata for Arpeggione and Piano, D. 821; Jean Cras. Légende (1929) César Cui. Deux morceaux Op. 36 ...
Mini-music to Siegfried Palm, Op. 38 (1970) Sven Einar Englund. Suite (1986) Gottfried von Einem. Music, Op. 108 (1996) Iván Erőd. Hommage à Beethoven, Op. 24 (Rhapsodie für Violoncello solo über Themen der Sonate, Op. 102/1 von Ludwig van Beethoven) (1977) Rudolf George Escher. Sonata for solo Violoncello (1945–48) Pozzi Escot. Sonata ...
Concertino "In dich hab' ich gehoffet, Herr" for cello and organ; Zsolt Gárdonyi. Variations on a Hungarian Chorale; Lothar Graap "Befiehl du deine Wege", Variations for cello and organ "Hinunter ist der Sonne Schein", Chorale suite for cello and organ; Percy Grainger. The Nightingale; Sofia Gubaidulina. In Croce; René Guillou. Adagio ...
Schumann turned to chamber music on the smaller scale; all the chamber music of this period was for piano and one or two other instruments. Schumann composed three duets, the first he ever completed, in 1849: the Five Pieces , the Adagio and Allegro for Horn and Piano and the Fantasiestücke for Clarinet, Op. 73.
It was his goal to write cello music that would teach other cellists how to bring the cello into all of the currents of modern popular music. Indeed, Minsky's etudes include the following genres: rock n' roll, blues, Latin, folk, country, hard rock, experimental, American waltz. They do provide a blueprint for a new style of cello playing.
Lemay has been described as having "made significant and substantial contributions to the saxophone repertoire." [4] [3] Of his over 140 works, 80 are for (or include) the saxophone, ranging from solos to large ensembles.