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"I Don't Wanna Dance" is a 1982 single by Eddy Grant. It went to number one on the UK Singles Chart and held there for three weeks in November 1982. [ 4 ] It was later released in the United States, but only reached No. 53 on the Billboard Hot 100 in late 1983.
A dance version by Sarah Washington that peaked at number 45 on the UK Singles Chart in 1993. [123] Tamia covered the song from her 1998 album Tamia and also featured in A Night at the Roxbury movie soundtrack. Saxophonist Dave Koz recorded a version for his 1999 album The Dance, featuring Montell Jordan on lead vocals.
"Electric Avenue" is a song by Guyanese-British musician Eddy Grant.Written and produced by Grant, it was released on his 1982 studio album Killer on the Rampage. In the United States, with the help of the MTV music video he made, it was one of the biggest hits of 1983.
You might be surprised by how many popular movie quotes you're remembering just a bit wrong. 'The Wizard of Oz' Though most people say 'Looks like we're not in Kansas anymore,' or 'Toto, I don't think
After 21 Emmys, 51 pros, 394 Stars, 32 winners and thousands of iconic performances, Dancing with the Stars celebrates its milestone 500th episode on Tuesday with a night full of star-studded moments.
The humorous monologues throughout the song by Gap Band lead singer Charlie Wilson were inspired by his cousin Bootsy Collins' own humorous slant in his songs.; Wilson's spoken intro, "this is radio station W-GAP", was a reference to Parliament's opening line in "P. Funk (Wants to Get Funked Up)", "welcome to radio station W-E-F-U-N-K, better known as WE-FUNK."
Dancing with the Stars is borrowing a page from some of the best dance videos of previous eras when the eight remaining dance teams will compete to songs behind some of music’s most iconic videos.
The EP has received mixed reviews from critics and fans, many liking the lyrics but missing the pop punk sound and energy from the first album Hold On Tight. Alternative Press gave it 3 out of 5 stars, commenting "[it] comes off as extremely over-produced, with swooshes, bells and whistles lending themselves better to Kelly Clarkson than Hey Monday" as well as "Beneath It All is enjoyable ...