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Hess compares the work with Chopin's Nocturne in D-flat major, Op. 27, No. 2, emphasizing the influence of the left hand ostinato which in Respighi's work is an arpeggio split between both hands. The opening unfolds with this pattern in double thirds, similar to the music of Claude Debussy with its chord progression: E-flat minor – G-flat ...
This is a complete list of the compositions by the Italian composer Ottorino Respighi (1879–1936). This list can be sorted by catalogue number (P), year composed, title, and genre. Catalog numbers were attributed by Potito Pedarra [ it ] , an Italian musicologist who dedicated most of his activity to the study of the works of Respighi.
Respighi's Concerto gregoriano was used in a one-act ballet depicting the life of Elizabeth Ann Seton, the first person born in the USA to become a Saint in the Catholic Church. [6] The ballet was created in 2025 to honor the 50th anniversary of her canonization and was entitled "Elizabeth" with choreography by Roman Mykyta and first performed ...
Ancient Airs and Dances (Italian: Antiche arie e danze) is a set of three orchestral suites by Italian composer Ottorino Respighi, freely transcribed from original pieces for lute. In addition to being a renowned composer and conductor, Respighi was also a notable musicologist .
The Birds (Italian: Gli uccelli) is a suite for small orchestra by the Italian composer Ottorino Respighi.Dating from 1928, the work is based on music from the 17th and 18th century [1] and represents an attempt to transcribe birdsong into musical notation, and illustrate bird actions, such as fluttering wings, or scratching feet.
The singers were amateurs selected in the world of the Bolognese students; [2] among them, Rosina Giovannoni Zacchi as Lauretta and Ernesto Lavarello as Leonzio. [3] Following the will of the composer, there was a single performance, which obtained a good success. [2] Re Enzo is organized as an operetta, with a succession of musical pieces and ...
The end of the third movement features this recording of the song of a nightingale which Respighi incorporated into the score. The third is a nocturne set on the Janiculum Hill and a full moon shining on the pines that grow on it. Respighi called for the clarinet solo at the beginning to be played "come in sogno" ("As if in a dream"). [4] [7]
The fairy-tale world of Hauptmann's play inspired Respighi to create his most lavishly and imaginatively orchestrated operatic score, which frequently reminds the listener of his famous symphonic poems. Since the opera's anti-hero Enrico is a bell maker, Respighi fills the music with many chiming and ringing effects.
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