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In 1964, the Dynabass became the "Bass Master", model "YBA-1", [6] and its associated 15-inch speaker cabinet became the "YS-15". The YBA-1 "Bass Master" circuit is very similar to the Fender Bassman , which in turn inspired the classic Marshall 1959 "Plexi" amplifier. [ 7 ]
A bass stack may use a single speaker cabinet, e.g., a cabinet holding eight ten-inch speakers, or 8x10". Smaller speaker cabinets with one, two, or four speakers are more commonly used, because while the 8x10" cabinet is able to produce huge volume and powerful bass tone, the cabinets are very heavy and difficult to transport.
Loudspeaker enclosures range in size from small "bookshelf" speaker cabinets with 4-inch (10 cm) woofers and small tweeters designed for listening to music with a hi-fi system in a private home to huge, heavy subwoofer enclosures with multiple 18-inch (46 cm) or even 21-inch (53 cm) speakers in huge enclosures which are designed for use in ...
Fender Silverface Bassman amp AB165 amplifier, with a 2×15" speaker cabinet. The Fender Bassman is a series of bass amplifiers introduced by Fender during 1952. [citation needed] Initially intended to amplify bass guitars, musicians used the 5B6 Bassman to amplify other instruments, including electric guitars, harmonicas, and pedal steel guitars.
The TNT Series bass amplifier first entered the market in the late 1970s as a 45-watt combo with one 15-inch speaker. The high-power TNT bass amplifier series was introduced as a 150–200 watt bass combo primarily equipped with a Scorpion or Black Widow 15-inch woofer.
Bass series were known as the 'Bass Bug' with a single 15 inch speaker. They also made 4x10", 8x10" and 2x15" enclosures for bass as well as a matching driver. There may have been other series but it's not clear since most of the history has been lost in time.
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
[15] A line of studio monitor speakers was created in 1991. [15] In 1996, Yorkville introduced the "TX" line of concert touring loudspeakers. [14] In 2001, Yorkville contracted with designer Tom Danley to create the "Unity" line of loudspeakers which was introduced in 2003. The Unity design was licensed from Danley's company Sound Physics Labs ...
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