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A choir (/ ˈ k w aɪər / KWIRE), also known as a chorale or chorus (from Latin chorus, meaning 'a dance in a circle') is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform or in other words is the music performed by the ensemble.
Gospel music is characterized by dominant vocals and strong use of harmony with Christian lyrics. Gospel music can be traced to the early 17th century. [1] Hymns and sacred songs were often performed in a call and response fashion, heavily influenced by ancestral African music. Most of the churches relied on hand–clapping and foot–stomping ...
Hymn tune of a Lutheran hymn (e.g. the melody of "Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one of the themes in the Finale of Saint-Saëns's Third Symphony) Such tune with a harmonic accompaniment (e.g. chorale monody, chorales included in Schemellis Gesangbuch)
The Italian style cultivated orchestral masses including soloists, chorus and obbligato instruments. It spread to the German-speaking Catholic countries north of the Alps, using instruments for color and creating dialogues between solo voices and chorus that was to become characteristic of the 18th-century Viennese style.
These are often designated "gospel songs" as distinct from hymns, since they generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, "Amazing Grace" is a hymn (no refrain), but "How Great Thou Art" is a gospel song. During the 19th century the gospel-song genre ...
Catholic monks developed the first forms of modern Western musical notation in order to standardize liturgy throughout the worldwide church, [3] and an enormous body of religious music has been composed for it through the ages. This led directly to the emergence and development of European classical music, and its many derivatives.
Plainsong was the exclusive form of the Western Christian church music until the ninth century, and the introduction of polyphony. [2] The monophonic chants of plainsong have a non-metric rhythm, [3] which is generally considered freer than the metered rhythms of later Western music. [3]
The Christian Songster: a collection of hymns and spiritual songs, usually sung at camp, prayer, and social meetings, and revivals of religion. Designed for all denominations (1858) [ 367 ] A Collection of Hymns, for the use of the United Brethren in Christ: taken from the most approved authors, and adapted to public and private worship (1858 ...