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Etruscan inscription TINIA on an altar stone from Volsinii. Tinia (also Tin, Tinh, Tins or Tina) was the sky god and the highest deity in Etruscan religion, equivalent to the Roman Jupiter and the Greek Zeus. [1] However, a primary source from the Roman Varro states that Veltha, not Tins, was the supreme deity of the Etruscans. [2]
Epithet of Śuri, [9] Etruscan infernal god of wolves, represented by a wolf. [10] Associated with Tinia and Selvans. [9] Catha, Cavtha, Cath: An Etruscan deity, god and goddess, not well represented in the art. She appears in the expression ati cath, "Mother Cath" [11] and also maru Cathsc, "the maru of Cath". The nature of the maru is not known.
The word tin on side B is assumed here to be a form of the theonym Tinia, the Jupiter-like head of the Etruscan pantheon, but it could also mean "day." Also on side B, the deity Thanr is usually associated with divine births and with the goddess of desire Turan .
A notable mirror from Volterra depicts Uni nursing an adult demigod Hercle (the Greek Heracles or Roman Hercules). Tinia, amongst other gods present at the scene, points to a tablet with the inscription indicating the significance of the event: "eca: sren: tva: iχnac hercle:unial clan: θra:sce" meaning "this picture shows how Hercle became Uni's son". [6]
In Etruscan religion, the dii involuti ("veiled" or "hidden gods", also di involuti or dii superiores et involuti) were a group of gods, or possibly a principle, superior to the ordinary pantheon of gods. In contrast to the ordinary Etruscan gods, including the Dii Consentes, the dii involuti were not the object of direct worship and were never ...
The Dead Are Alive (Italian: L'etrusco uccide ancora / The Etruscan Kills Again) is a 1972 giallo film by Italian director Armando Crispino, with music by Riz Ortolani, and starring Alex Cord, Samantha Eggar and John Marley.
The Etruscan civilization was a wealthy civilization in ancient Italy with roots in the ancient region of Etruria, which existed during the early 8th–6th century BCE and extended over what is now a part of modern Tuscany, western Umbria, and northern Lazio. [9] The region became a part of the Roman Republic after the Roman–Etruscan Wars.
It is a life-sized bronze model of a sheep's liver covered in Etruscan inscriptions (TLE 719), measuring 126 × 76 × 60 mm (5 × 3 × 2.4 inches) and dated to the late 2nd century BC, i.e. a time when the Piacenza region would already have been Latin-dominated (Piacenza was founded in 218 BC as a Roman garrison town in Cisalpine Gaul).
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