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About 65,000 red-figure vases and vase fragments are known to have survived. [c] The study of ancient pottery and of Greek vase painting began already in the Middle Ages. Restoro d'Arezzo dedicated a chapter (Capitolo delle vasa antiche) of his description of the world to ancient vases (Della composizione del mondo, libro VIII, capitolo IV).
He is often credited with being the originator of the red-figure vase painting technique. To be sure, he is certainly one of the earliest painters to work in the style. In total, fourteen amphorae and two cups are attributed to his hand. Six of the amphorae are "bilingual", meaning they display both red-figure and black-figure scenes.
In archaeological scholarship, the term Mannerists describes a large group of Attic red-figure vase painters, stylistically linked by their affected painting style. The group comprised more than 15 artists. They preferred to paint column kraters, hydriai and pelikes. They were active from about 480 BC until near the end of the 5th century BC.
He began his career painting for the potters Kleophrades and Euphronios, before beginning a long collaboration with the potter Python. He signed 39 vases as a painter, also one as a potter and painter, [1] and one vase as a potter only. [2] Between 250 and 300 vases are ascribed to him. [3] The majority of these vases are kylixes, i.e. cups.
Gradually, the new red-figure technique began to replace the older black-figure style. Euphronios was to become one of the most important representatives of early red-figure vase painting in Athens. Together with a few other contemporary young painters, modern scholarship counts him as part of the "Pioneer Group" of red-figure painting.
The Oreithyia Painter was an ancient Greek red-figure vase painter who flourished from 470–460 BCE. He is one of the many painters of the red-figure Classical Period, but his work is not considered the finest or well-known. This is partly because he began painting during the transition from red-figure to black-figure pottery.
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