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For a note in 4/4 time, "whole" means an entire (or 'whole') measure of beats: 4 beats. In 3/4 time, though, a whole note would be written as a dotted half note tied to a quarter note. For a rest, "whole" always means an entire measure. That symbol hanging from the second line means "Do not play at all during this measure."
There may be any number of beats in a measure but the most common by far are multiples of 2 or 3 (i.e., a top number of 2, 3, 4, or 6). Likewise, any note length can be used to represent a beat, but a quarter note (indicated by a bottom number of 4) or eighth note (bottom number of 8) are by far the most common.
The time signature 4 4: four beats per measure, each beat a quarter note (a crotchet) in length. 4 4 is often written on the musical staff as . The symbol is not a C as an abbreviation for common time, but a broken circle; the full circle at one time stood for triple time, 3 4. comodo
The beat is always called ta. In simple meters, the division and subdivision are always ta-di and ta-ka-di-mi. Any note value can be the beat, depending on the time signature. In compound meters (wherein the beat is generally notated with dotted notes), the division and subdivision are always ta-ki-da and ta-va-ki-di-da-ma.
Since it is equal to four quarter notes, it occupies the entire length of a measure in 4 4 time. Other notes are multiples or fractions of the whole note. For example, a double whole note (or breve) lasts twice the duration of the whole note, a half note lasts one half the duration, and a quarter note (or crotchet) lasts one quarter the duration.
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In 4/4 time, that would mean the first chord would be played for two beats, and the second chord would be played for two beats. 2- 5 1 means a minor 2 chord for two beats, then a 5 chord for two beats, then a 1 chord for four beats. If the measure is not evenly divided, beats can be indicated by dots or hash marks over the chord numbers.
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