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  2. Bella Figura - Wikipedia

    en.wikipedia.org/wiki/Bella_Figura

    Bella Figura is a contemporary ballet choreographed by Jiří Kylián to music by Lukas Foss, Giovanni Battista Pergolesi, Alessandro Marcello, Antonio Vivaldi and Giuseppe Torelli. The ballet was made for the Nederlands Dans Theater , and premiered on 12 October 1995, at AT&T Danstheater [ nl ] , The Hague.

  3. Figura - Wikipedia

    en.wikipedia.org/wiki/Figura

    Figura may refer to: Bella Figura, one act ballet by Jiří Kylián; Fgura, town in the south of Malta; Figura etymologica, rhetorical figure; Figura Serpentinata, style in painting and sculpture; Oliva figura, species of sea snail, a marine gastropod mollusk in the family Olividae (olives) translation of figure in some languages

  4. Rose Romano - Wikipedia

    en.wikipedia.org/wiki/Rose_Romano

    She founded and edited the journal la bella figura, which promoted the work of Italian-Americans. After a brief but successful run, she folded the journal when she decided to live in Italy. Before leaving the United States, she edited an anthology of poems that had appeared in the journal.

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  6. Ryom-Verzeichnis - Wikipedia

    en.wikipedia.org/wiki/Ryom-Verzeichnis

    The Ryom-Verzeichnis or Ryom Verzeichnis [1] (both often abbreviated RV) is the standard catalogue of the music of Antonio Vivaldi created by Danish musicologist Peter Ryom. ...

  7. Nulla in mundo pax sincera - Wikipedia

    en.wikipedia.org/wiki/Nulla_in_mundo_pax_sincera

    Nulla in mundo pax sincera, RV 630, is a sacred motet composed by Antonio Vivaldi in 1735 to an anonymous Latin text [citation needed], the title of which may be translated as "In this world there is no honest peace" or "There is no true peace in this world without bitterness".

  8. Rhetorical figure - Wikipedia

    en.wikipedia.org/wiki/Rhetorical_figure

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  9. La Bella - Wikipedia

    en.wikipedia.org/wiki/La_Bella

    La Bella is a portrait of a woman by Titian in the Palazzo Pitti in Florence. The painting shows the subject with the ideal proportions for Renaissance women. [1] In parallel the stringent composition corresponds to Titian's real portraits. The work can be dated by a letter about "that portrait of that woman in a blue dress" in May 1536.