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The Harvesters is an oil painting on wood completed by the Netherlandish Renaissance artist Pieter Bruegel the Elder in 1565. It depicts the harvest time set in a landscape, in the months of July and August or late summer. [ 1 ]
Pieter Bruegel (also Brueghel or Breughel) the Elder (/ ˈ b r ɔɪ ɡ əl / BROY-gəl, [2] [3] [4] US also / ˈ b r uː ɡ əl / BROO-gəl; [5] [6] Dutch: [ˈpitər ˈbrøːɣəl] ⓘ; c. 1525–1530 – 9 September 1569) was among the most significant artists of Dutch and Flemish Renaissance painting, a painter and printmaker, known for his landscapes and peasant scenes (so-called genre ...
The Hay Harvest (also known as Haymaking), is an oil painting on wood panel by the Netherlandish Renaissance artist Pieter Bruegel the Elder (c. 1525–1569), executed in 1565. The most important of the Lobkowicz family's Northern pictures, it was hung in the dining room of the Antwerp merchant Niclaes Jongelink. This work was originally part ...
Taskscape, then is a socially constructed space of human activity, understood as having spatial boundaries and delimitations for the purposes of analysis. Of key importance, is that taskscape as well as landscape , is to be considered as perpetually in process rather than in a static or otherwise immutable state.
109.2 × 158.1: Royal Collection and at Upton House, Warwickshire: MS 27 Winter Landscape with a Bird Trap: 1565: Oil on panel: 37 × 55.5: Royal Museums of Fine Arts of Belgium, and many copies; it is Bruegel's most copied work MS 28 Christ and the Woman Taken in Adultery: c. 1565: Oil on panel: 24 × 34: Courtauld Institute Galleries: MS 29
Netherlandish Proverbs (Dutch: Nederlandse Spreekwoorden; also called Flemish Proverbs, The Blue Cloak or The Topsy Turvy World) is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms.
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In the same year, Bruegel painted Netherlandish Proverbs, also modelled on a print by Hogenberg. The following year he produced Children's Games. These three works are closely related, each forming a catalogue of folk customs. The works mark the transition of Bruegel from draughtsman to the painter of grand panels for which he is now known. [3]