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Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Robert Antoine Pinchon (French pronunciation: [ʁɔbɛʁ ɑ̃twan pɛ̃ʃɔ̃], 1 July 1886 in Rouen – 9 January 1943 in Bois-Guillaume) was a French Post-Impressionist landscape painter of the Rouen School (l'École de Rouen) who was born and spent most of his life in France.
Roger Eliot Fry (14 December 1866 – 9 September 1934) was an English painter and critic, and a member of the Bloomsbury Group.Establishing his reputation as a scholar of the Old Masters, he became an advocate of more recent developments in French painting, to which he gave the name Post-Impressionism.
Synthetism is a term used by Post-Impressionist artists like Paul Gauguin, Émile Bernard and Louis Anquetin to distinguish their work stylistically from Impressionism. Earlier, Synthetism has been connected to the term Cloisonnism , and later to Symbolism . [ 1 ]
Post-Impressionism; Fauvism Achille-Émile Othon Friesz (6 February 1879 – 10 January 1949), who later called himself Othon Friesz , a native of Le Havre , was a French artist of the Fauvist movement.
John Rewald (May 12, 1912 – February 2, 1994) was an American academic, author and art historian. He was known as a scholar of Impressionism, Post-Impressionism, Cézanne, Renoir, Pissarro, Seurat, and other French painters of the late 19th century. [1] He was recognized as a foremost authority on late 19th-century art.
In the 1930s, she created some lithographs, and during World War II, which she spent in Australia, she painted some scenes of women war workers. [3] Carrick began as an Impressionist plein air painter but fairly quickly moved to a more Post-Impressionist style featuring blockier compositions and sharper colour contrasts. [3]
Albright-Knox Art Gallery, Buffalo, New York Cloisonnism is a style of post-Impressionist painting with bold and flat forms separated by dark contours. The term was coined by critic Édouard Dujardin on the occasion of the Salon des Indépendants , in March 1888. [ 1 ]