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A church at the site was known by the tenth century, was named Santa Maria Nova (or "Nuova", "New St Mary"), to distinguish it from the other church inside the Roman forum devoted to St Mary, Santa Maria Antiqua ("Ancient St Mary"), which had fallen into ruin by then. [3] The relics from the ancient church were moved to this church under Pope ...
The community later became known simply as the Oblates of St. Frances of Rome. Frances herself remained in her own home, nursing her husband for the last seven years of his life from wounds he had received in battle. When he died in 1436, she moved into the monastery and became the superior. [5] She died in 1440 and was buried in Santa Maria Nova.
St. Frances (1378-1440) was a native and noblewoman of the city who had wanted to be a nun when she was a child. Despite being compelled to enter into an arranged marriage with a wealthy and aristocratic member of the papal military forces, she and her husband were happily married.
The church was assigned in 1550 by Pope Julius III to the Oblates of St Frances of Rome from the nearby Monastery of Tor de' Specchi. [6] The church of Santa Maria Liberatrice (Sancta Maria libera nos a poenis inferni) was built in 1617 on its ruins of Santa Maria Antiqua.
The Azusa Street Revival was a historic series of revival meetings that took place in Los Angeles, California. [1] It was led by William J. Seymour , an African-American preacher . The revival began on April 9, 1906, and continued until roughly 1915.
Azusa is located along historic Route 66, which passes through the city on Foothill Boulevard and Alosta Avenue. Azusa is bordered by the San Gabriel Mountains range to the north, Irwindale to the west, the unincorporated community of Vincent to the southwest, Glendora and the unincorporated community of Citrus to the east, and Covina to the south.
The confessio of Santa Francesca Romana is the confessio, the enclosed area below the altar, of the Basilica of Santa Francesca Romana in Rome.. It was built between 1638 and 1649 to a design by Gian Lorenzo Bernini, including a bronze sculptural group of St Frances and the angel.
Notable also is a copy of an alleged portrait of St. Francis by the friar Margaritone d'Arezzo: if confirmed, it would be the first true portrait in the history of Italian arts (the original is in the Pinacoteca Vaticana). The church houses also, in the cell where the saint lived, a black stone he had used as a cushion.