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Devotional music genres such as Bhajan are part of a tradition that emerged from these roots. [16] However, bhajans rose to prominence as a way of expressing fervent devotion to the divine, breaking down barriers of caste and society, during the Bhakti and Sant movements of medieval India (about the 6th to the 17th centuries).
Tirumurai (Tamil: திருமுறை, meaning Holy Order) is a twelve-volume compendium of songs or hymns in praise of Shiva in the Tamil language from the 6th to the 11th century CE by various poets in Tamil Nadu.
Late Chola, Tamil Nadu. Vinayagar Agaval is a devotional poetic hymn to the Hindu deity Ganesha. It was written in the 10th century during the Chola dynasty by the Tamil poet Avvaiyar, shortly before her death. [1] It is considered to be her greatest poem. [2] The 72-line 'Agaval' is a form of blank verse, close to speech.
"Kurai Onrum Illai" (Tamil: குறை ஒன்றும் இல்லை, meaning No grievances have I) is a Tamil devotional song written by C. Rajagopalachari. [1] The song set in Carnatic music was written in gratitude to Hindu God ( Venkateswara and Krishna visualised as one) and compassionate mother.
Manikkavacakar was a 9th-century Tamil saint and poet who wrote Thiruvasagam, a book of Shaiva hymns. Speculated to have been a minister to the Pandya king Varagunavarman II (c. 862 CE–885 CE) [1] (also called Arimarthana Pandiyan), he lived in Madurai.
The Alvars (Tamil: ஆழ்வார், romanized: Āḻvār, lit. 'The Immersed') were the Tamil poet-saints of South India who espoused bhakti (devotion) to the Hindu preserver deity Vishnu, in their songs of longing, ecstasy, and service. [2] They are venerated in Vaishnavism, which regards Vishnu as the Ultimate Reality.
The tradition of Tamil music goes back to the earliest period of Tamil history. Many poems of the Sangam literature , the classical Tamil literature of the early common era , were set to music. There are various references to this ancient musical tradition found in the ancient Sangam books such as Ettuthokai and Pathupattu .
Amṛtānandamayī has recorded more than 1,000 bhajans, or devotional songs, in 35 languages. [35] She has also composed dozens of bhajans and set them to traditional ragas. Regarding devotional singing as a spiritual practice, Amṛtānandamayī says, "If the bhajan is sung with one-pointedness, it is beneficial for the singer, the listeners ...
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