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Reginald Marsh (March 14, 1898 – July 3, 1954) was an American painter, born in Paris, most notable for his depictions of life in New York City in the 1920s and 1930s. . Crowded Coney Island beach scenes, popular entertainments such as vaudeville and burlesque, women, and jobless men on the Bowery are subjects that reappear throughout his w
Print/export Download as PDF ... Pages in category "1930s in New York City" ... Art Deco architecture of New York City; C. Construction of Rockefeller Center; Cynthia ...
The amount of office space in New York City increased by 92% in the late 1920s. [5]: 49–50 Zoning regulations had major impacts on the design of buildings. The proliferation of ever-larger skyscrapers like the 40-story Equitable Building spurred New York City's passage of the US's first citywide zoning code, the 1916 Zoning Resolution. [6]
The Art Deco style, which originated in France just before World War I, had an important impact on architecture and design in the United States in the 1920s and 1930s. The most notable examples are the skyscrapers of New York City, including the Empire State Building, Chrysler Building, and Rockefeller Center. It combined modern aesthetics ...
The painting portrays the small businesses and shops of Seventh Avenue in New York City shortly after sunrise. It shows a cloudless sky over a long, red building. A red and blue striped barber pole sits in front of one of the doorways on the right side of the sidewalk, and a green fire hydrant is on the left.
Soyer's teaching career began at the John Reed Club, New York, in 1930 and included stints at the Art Students League, the New School for Social Research and the National Academy. He was an artist of the Great Depression , and during the 1930s, Raphael and his brother Moses engaged in Social Realism, demonstrating empathy with the struggles of ...
[2] [6]: 58–59 This contrasts with the work-relief mission of the Federal Art Project (1935–1943) of the Works Progress Administration, the largest of the New Deal art projects. So great was its scope and cultural impact that the term "WPA" is often mistakenly used to describe all New Deal art, including the U.S. post office murals.
The Artists Union or Artists' Union was a short-lived union of artists in New York in the years of the Great Depression. It was influential in the establishment of both the Public Works of Art Project in December 1933 and the Federal Art Project of the Works Progress Administration in August 1935. It functioned as the principal meeting-place ...