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A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features.
Arguni is a district (distrik) in Fakfak Regency, West Papua, Indonesia.The district covers part of Arguni Island [].The district government center is located in Fior Village [].
Bagan Dalam means "inner jetty" in the Malay language. It is located near the Butterworth Wharves, also known as Dermaga Dalam in the Malay language. Bagan Dalam is connected to Perai, a major industrial area in the Seberang Perai region over the Perai River by the Prai River Bridge and the older Tunku Abdul Rahman Bridge.
Most dictionaries and definitions of shan shui assume that the term includes all ancient Chinese paintings with mountain and water images. [3] Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting".
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Lee Man Fong (Chinese: 李曼峯; pinyin: Lǐmǐnfēng; Jyutping: lei5 man5 fung1; November 14, 1913 – April 3, 1988) was a painter born in Guangzhou, China.His father, a merchant with ten children, brought him to Singapore.
Popo Iskandar was born in Garut, West Java.His father, R.H. Natamihardja is a retired bank clerk. Since childhood his father expected Popo to become an architect.
Chuah Thean Teng was born in 1914 in Fujian, China; Chuah's father traded sundries while his mother made shoes for women with bound feet.The family emigrated to Penang, Malaysia when Chuah was 14; Chuah returned to Fujian to pursue an education at the Amoy Art School (later the Xiamen Academy of Fine Arts), but returned to Malaya (now Malaysia) at the age of 17. [1]