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The naga sadhus generally remain in the ambit of non-violence, though some sections are also known to practice the sport of Indian wrestling. The Dasanāmi sannyāsins practice the Vedic and yogic Yama principles of ahimsā (non-violence), satya (truth), asteya (non-stealing), aparigraha (non-covetousness) and brahmacārya (celibacy / moderation).
The sadhus and sadhvis are intertwined with the Jain lay society, perform murtipuja (Jina idol worship) and lead festive rituals, and they are organized in a strongly hierarchical monastic structure. [20] There are differences between the Digambara and Śvetāmbara sadhus and sadhvi traditions. [20]
In his three-decade- long journalistic career, he worked for the Statesman, The Times of India, The Indian Express and the Free Press Journal in Mumbai and was a stronger for Time magazine. [1] Sadhu has won several awards for his literary work. He presided over Marathi Sahitya Sammelan at Nagpur in 2007. He depicted through his writings on ...
Baba Rampuri, born William A. Gans (July 14, 1950) is an American born Sadhu.He claims to be the first westerner to become a Naga Sadhu, having been initiated in 1970.He is the author of the 2010 Destiny Books published book Autobiography of a Sadhu: A Journey into Mystic India, originally published in 2005 by Harmony/Bell Tower as Baba: Autobiography of a Blue-Eyed Yogi, and now released by ...
Shava Sadhana is regarded the most important ritual in Shakta Tantra, particularly in West Bengal. Shaiva Aghoris from Varanasi are also known to practice this ritual. [1] Shava sadhana is "the most secret part of Tantric mysticism" and is regarded one of the most "misunderstood" due to its non-Aryan nature. [3]
Maithuna (Devanagari: मैथुन) is a Sanskrit term for sexual intercourse within Tantra (Tantric sex), or alternatively for the sexual fluids generated or the couple participating in the ritual. [1] [2] It is the most important of the Panchamakara and constitutes the main part of the grand ritual of Tantra also known as Tattva Chakra. [3]
The author collected these stories from the common native people of Assam and then prepared this book. The names he mentioned in the preface of the book who contributed the folklores (but without explicitly mentioning who contributed which one) were Bhramarendra Saikia, Mahi Chandra Bora, Sitanath Sharma, Sarveshwar Sharma Kotoky, Rudrakanta Goswami, Wajed Ali, Naranath Sharma, Rusheswar ...
Sadhu Ramchand Murmu (30 April 1897 – 15 December 1954) [2] [better source needed] was a Santali poet, writer, and educator. [3] He reshaped the Santali literature and music in the late 19th and early 20th centuries. [4]
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