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In implementing the National Culture, we tried to create with the seriousness that honestly as a struggle to maintain and develop our self dignity as a nation of Indonesia in the community of nations. Pancasila is the philosophy of our culture. Jakarta, August 17, 1963 [1] [2] [3]
The Ministry of Culture of the Republic of Indonesia (Indonesian: Kementerian Kebudayaan Republik Indonesia, abbreviated as Kemenbud RI or Kemenbud) is a ministry within the Indonesian Government tasked with organizing government affairs in the field of cultural advancement objects, cultural heritage, and other cultures.
The philosopher in Indonesian history of philosophy who firstly understood Budi (or more frequently, Kebudayaan) as culture is Sutan Takdir Alisjahbana (1908–1994). Koentjaraningrat, an American-trained anthropologist, then continued using the meaning in his famous book, Manusia dan Kebudayaan di Indonesia. [6]
Based on Presidential Decree No. 144/2024, [2] the Coordinating Ministry for Human Development and Cultural Affairs is organized into the following: Office of the Coordinating Minister for Human Development and Cultural Affairs
The Lembaga Kebudajaan Rakjat (EYD: Lembaga Kebudayaan Rakyat, often abbreviated Lekra; meaning Institute for the People's Culture) was a prolific cultural and social movement associated with the Indonesian Communist Party. Founded in 1950, Lekra pushed for artists, writers and teachers to follow the doctrine of socialist realism.
The Ministry of Education and Culture (Indonesian: Kementerian Pendidikan dan Kebudayaan, abbreviated as Kemendikbud) was a government ministry which organises early childhood education, elementary education, secondary education and community education affairs and the management of culture within the Indonesian government.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.