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[6] at which Peter jumped into the water to meet him (an aspect of the story often illustrated in Christian art), while the remaining disciples followed in the boat, towing the net, which proved to be full of 153 large fish. The fish caught were later used by Jesus to cook some breakfast along with some bread for himself and for his disciples. [6]
It contains an account of a post-crucifixion appearance in Galilee, which the text describes as the third time Jesus had appeared to his disciples. In the course of this chapter, there is a miraculous catch of 153 fish, the confirmation of Peter's love for Jesus, a foretelling of Peter's death, and a comment about the beloved disciple's future.
In John 21, Peter goes fishing with six other disciples. They do not catch any fish all night, but in the morning Jesus meets them and tells them to throw their net on the other side of the boat. When they do, there is a miraculous catch of 153 fish. Jesus and his disciples have breakfast on the shore. Jesus prepares the breakfast of bread and ...
The more prominent of the brothers, presumably Simon, is holding a fish in his right hand. The edge of the canvas is rather damaged, but the central panel is in good condition. The presence of "incisions" into the ground of the canvas marking out St. Peter's ear and the eyes of Christ are typical of Caravaggio's technique. [ 1 ]
Mark 16:12–13 has a similar account that describes the appearance of Jesus to two disciples while they were walking in the country, at about the same time in the Gospel narrative. [165] In the Miraculous catch of 153 fish Jesus appears to his disciples on the Sea of Galilee, and thereafter Jesus encourages the Apostle Peter to serve his ...
Thus the act of fishing brings the fish from the domain of sin and death to that of God. Similarly the disciples are tasked with bringing souls from sin and evil into the domain of God. The water reference might also be linked to the idea of baptism, which in Matthew 28:19 is explicitly linked to the disciples' mission. [5]: 138
The remains of the boat, 27 feet (8.2 meters) long, 7.5 feet (2.3 meters) wide and with a maximum preserved height of 4.3 feet (1.3 meters), first appeared during a drought, when the waters of the Sea (actually a great fresh-water lake) receded. [1] Other than the dating, there is no evidence connecting the boat to Jesus or his disciples.
The painting, in vertical format, shows a close-up view of Christ's disciples struggling frantically against the heavy storm to regain control of their fishing boat. A huge wave beats the bow and rips the sail. One of the disciples is seen vomiting over the side. Another one, looking directly at the viewer, is a self-portrait of the artist.