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Museo Real de Pinturas a la muerte de Fernando VII. 1834, 156; Catalog Museo del Prado, 1854-1858, 1546; Catalog Museo del Prado, 1872-1907, 1333; L'opera completa di Van Dyck, 649; Alle tot nu toe bekende schilderijen van Van Dyck, 690; RKDimages ID: 232416 ; Museo del Prado artwork ID: f89676d9-34cc-46d9-b232-571faf9894ba
The theme of the Pietà, so dear to the sculptor Michelangelo, is addressed in a highly emotional composition, as in the Crucifixion for Colonna. The dead Jesus is cradled between the grieving Mary's legs, who raises her arms to heaven as two angels also raise Christ's arms at right angles.
Detail of Mary's face. The work was painted for the church of the convent of San Giusto alle mura together with the Agony in the Garden and a Crucifixion.Renaissance art biographer Giorgio Vasari saw them in side altars of the church of San Giovanni Battista alla Calza, after the original location had been destroyed during the Siege of Florence in 1529.
Michelangelo Buonarotti's Pietà in Saint Peter's Basilica, 1498–1499.Crowned by the Pontifical decree of Pope Urban VIII in 1637.. The Pietà (Italian pronunciation:; meaning "pity", "compassion") is a subject in Christian art depicting the Blessed Virgin Mary cradling the mortal body of Jesus Christ after his Descent from the Cross.
The Pietà of Villeneuve-lès-Avignon in the Louvre, c. 1455. Enguerrand Quarton (or Charonton) (c. 1410 – c. 1466) was a French painter and manuscript illuminator whose few surviving works are among the first masterpieces of a distinctively French style, very different from either Italian or Early Netherlandish painting.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
A model attribution edit summary is Content in this edit is translated from the existing French Wikipedia article at [[:fr:La Pietà de Spello]]; see its history for attribution. You may also add the template {{Translated|fr|La Pietà de Spello}} to the talk page. For more guidance, see Wikipedia:Translation.
Pietà is a c. 1600 oil on canvas painting by Annibale Carracci, the earliest surviving work by him on the subject, which was commissioned by Odoardo Farnese.It moved from Rome to Parma to Naples as part of the Farnese collection and is now in the National Museum of Capodimonte in Naples. [1]