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The scene of the Pietà was depicted by Perugino under a portico, a typical theme of his art in the 1480s and 1490s (used for example in the Albani-Torlonia Polyptych of the Madonna with Child Enthroned between Saints John the Baptist and Sebastian). The serene landscape with light trees is also common in his paintings of the period.
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Getty Museum’s Pietà. In 1988, Barbara Anderson wrote an article arguing the Pietà acquired by the J. Paul Getty Museum in 1985 was from the circle of Fernando Gallego. While this Pietà is a rather typical example of its kind, she notes the artist’s, “...blunt rejection of the female beauty and decorous grief typical of fifteenth ...
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Pietà with Saint Francis and Saint Mary Magdalene is a 1602-1607 oil on canvas painting by Annibale Carraci. Now in the Louvre , it was looted from the Mattei family chapel in San Francesco a Ripa in Rome by Napoleon's troops in 1797 and was not returned at the end of the Napoleonic Wars .
The Pietà for Vittoria Colonna is a black chalk drawing on cardboard (28.9×18.9 cm) attributed to Michelangelo Buonarroti, dated to about 1538–1544 and kept at the Isabella Stewart Gardner Museum in Boston.
Pietà (Perugino) Pietà (Rosso Fiorentino) Pietà (Titian) Pietà (after Delacroix) Pietà (Bellini, Bergamo) Pietà (Bellini, Milan) Pietà (Bouguereau) Pietà (Bramantino) Pietà (Filippo Lippi, Milan) Pietà (Flandrin) Pietà Gonfalon; Polyptych of Saint Barbara (Palma Vecchio) Portable Altarpiece with Pietà and Saints; Porto San Giorgio ...
The Spello Pietà is a fresco of the Pietà by Perugino executed in 1521–1522. It also shows John the Apostle and Mary Magdalene kneeling either side of the Virgin Mary. It is now sited in the left transept of the Chiesa Santa Maria Maggiore in Spello , but its origins are unknown.