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Texas Across The River is a 1966 American Techniscope comedy western film directed by Michael Gordon and starring Dean Martin, Alain Delon, Rosemary Forsyth and Joey Bishop. Plot [ edit ]
According to research requested by the producers, the film was to be set in 1889, approximately 10 years after the end of season 3. [18] On August 21, 2018, W. Earl Brown confirmed that virtually everyone in the main cast would be returning; however, the characters played by Powers Boothe and Ralph Richeson, who have since died, would not be ...
The film was released by Warner Bros. and Amblin Entertainment on January 25, 1985, and a DVD of the film was released on February 15, 2005. Fandango marked not only the directorial debut of Reynolds, but also the feature-film debut of Suzy Amis, previously known primarily for her work in modeling. [7]
Gone to Texas is a 1986 American made-for-television biographical film originally titled Houston: The Legend of Texas. [1] It stars Sam Elliott in the title role, and is a biopic of Sam Houston 's years as Governor of Tennessee through his involvement in the Texas Revolution .
Two for Texas is a 1998 American Western television film directed by Rod Hardy, written by Larry Brothers, and starring Kris Kristofferson, Scott Bairstow, Irene Bedard, Tom Skerritt, Peter Coyote, and Victor Rivers. It is based on the 1982 novel Two for Texas by James Lee Burke. The film premiered on TNT on January 18, 1998. [1] [2] [3]
Alamo Bay is a 1985 American drama film about a Vietnam veteran who clashes with Vietnamese immigrants who move to his Texas bay hometown. The film was directed by Louis Malle, and stars Amy Madigan and Ed Harris. Future Texas A&M and Dallas Cowboys linebacker Dat Nguyen, who was aged 9 at the time has a small role as a Little League ballplayer.
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The Texas Chain Saw Massacre is widely considered one of the greatest—and most controversial—horror films of all time [105] [106] and a major influence on the genre. [48] [107] In 1999, Richard Zoglin of Time commented that it had "set a new standard for slasher films". [108] The Times listed it as one of the 50 most controversial films of ...