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Johann Strauss I, 1835 lithograph by Josef Kriehuber. Johann Baptist Strauss I (/ s t r aʊ s /; German: [ˈjoːhan bapˈtɪst ˈʃtʁaʊs]; 14 March 1804 – 25 September 1849), also known as Johann Strauss Sr., the Elder or the Father (German: Johann Strauß Vater), was an Austrian composer of the Romantic Period.
Johann Baptist Strauss II (/ s t r aʊ s /; German: [ˈjoːhan bapˈtɪst ˈʃtʁaʊs]; 25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger or the Son (German: Johann Strauß Sohn), was an Austrian composer of light music, particularly dance music and operettas as well as a violinist.
On 27 August 1862, Henrietta (known as Jetty) Treffz married Johann Strauss II in the Stephansdom in Vienna, a marriage that was beneficial to Strauss as her support and keen musical and business sense influenced his works and promoted them to a superior standard. His works around that time revealed his finest creative period, and she worked ...
Philipp Fahrbach Sr. (25 October 1815 – 31 March 1885) was an Austrian musician. He was in the orchestra of Johann Strauss I in Vienna, and later led his own ensemble which followed the tradition of the Strauss orchestra; he composed dance music and marches.
Josef Strauss. Josef Strauss (20 August 1827 – 22 July 1870) was an Austrian composer. He was born in Mariahilf (now Vienna), the son of Johann Strauss I and Maria Anna Streim, and brother of Johann Strauss II and Eduard Strauss. His father wanted him to choose a career in the Austrian Habsburg military.
The elder son, Johann Strauss III, was to lead the Strauss revival well into the 20th century. Josef Eduard's son, Eduard Strauss II, was active as a conductor. However, personal setbacks in the 1890s, such as the death of brother Johann Strauss II in 1899, and his realization that his immediate family had squandered his personal fortune, led ...
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Lanner (c. 1825) Joseph Lanner (12 April 1801 – 14 April 1843) was an Austrian dance music composer and dance orchestra conductor. [1] [2] He is best remembered as one of the earliest Viennese composers to reform the waltz from a simple peasant dance to something that even the highest society could enjoy, either as an accompaniment to the dance, or for the music's own sake.