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Woodland Pattern's book center holds a carefully curated and nationally recognized collection of over 25,000 titles of poetry, small press literature, and literary ephemera, including broadsides, chapbooks, and zines—often published in conjunction with the center's programs and spanning nearly four decades.
Whispers is a novel by American suspense author Dean Koontz, originally published in 1980. It was the first of Koontz's novels to appear on the New York Times Best Seller list, and is widely credited with launching his career as a best-selling author. The novel was also adapted for a 1990 film by the same name.
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Brad Bigelow is the author of the website, he reportedly has had a lifelong interest in finding and reading neglected books, typically by browsing used books stores. He says he was inspired by David Madden's book Rediscoveries (1971), [5] a collection of essays by a variety of writers about little-known or long-forgotten books. [6]
Hyperion, a Fragment is an abandoned epic poem by 19th-century English Romantic poet John Keats. It was published in Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820). [1] It is based on the Titanomachia, and tells of the despair of the Titans after their fall to the Olympians. Keats wrote the poem from late 1818 until the spring of ...
Miles was fascinated with Beat poetry, and was both a host and critic to many Beat poets from her chair at Berkeley. Most notably, she helped Allen Ginsberg publish Howl, recommending it to Richard Eberhart who published an article in the New York Times praising the poem.
The poem was developed in two sections; each contains four stanzas and each stanza contains four lines. The first section where Eliot paid homage to his great Jacobean masters in whom he found the unified sensibility is a kind of "versified critique" [2] of Jacobean writers, Webster and Donne in particular. Both Webster and Donne are praised by ...
The Age of Anxiety: A Baroque Eclogue (1947; first UK edition, 1948) is a long poem in six parts by W. H. Auden, written mostly in a modern version of Anglo-Saxon alliterative verse. The poem deals, in eclogue form, with man's quest to find substance and identity in a shifting and increasingly industrialized world.